The On-Going Nakba
British-Palestinian human rights lawyer talks out: Hastings Palestine Solidarity Campaign are delighted that Salma Karmi-Ayyoub will be giving a talk during ‘Nakba’ week. Gill Knight writes.
British-Palestinian human rights lawyer talks out: Hastings Palestine Solidarity Campaign are delighted that Salma Karmi-Ayyoub will be giving a talk during ‘Nakba’ week. Gill Knight writes.
Danny Pockets is well known in Hastings and beyond our boundaries. He is an artist, video maker and sculptor, as well as a visual historian and a psycho-geographer: documenting and walking into the faded, battered, disappearing social history of the every day. HOT’s Lauris Morgan-Griffiths had heard of Pockets and his nostalgic shop fronts series but the first images she saw were of that strong, sculptural work horse of a construction, Hastings pier.
At the Quaker Meeting House on 2 May, there was an event themed around women who resisted the First World War, shining a light on those women who aren’t widely known yet, whose stories form part of the wider history of the war. John Enefer writes.
The line-up of parliamentary candidates for Hastings and Rye is now complete – unless Ukip against expectation put up a candidate – with Julia Hilton’s selection to represent the Green Party. Nick Terdre reports.
HOT’s Sean O’Shea reflects on the recent Brexit preparatory talks, criticises the use of militaristic rhetoric in the conduct and narration of our relations with the EU and asks if democracy and progressive politics are going to be relegated to Room 101 on the 8th of June?
Hastings Conservatives did well in yesterday’s county council elections, taking three Hastings seats off Labour – both parties now hold four each in the town. Neither the LibDems nor the Greens threatened to win a seat. Nick Terdre reports.
Jazz legend Jim Mullen will be headlining at this month’s Jazz Hastings session on Tuesday 9 May at East Hastings Sea Angling Association. He describes himself as one of the last generation of self-taught guitarists, writes Jazz Hastings’ Julian Norridge.